Products related to Material:
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Understanding Material Culture
"In his interdisciplinary review of material culture, Ian Woodward goes beyond synthesis to offer a theoretically innovative reconstruction of the field.It is filled with gems of conceptual insight and empirical discovery.A wonderful book."- Jeffrey C. Alexander, Yale University"A well-grounded and accessible survey of the burgeoning field of material culture studies for students in sociology and consumption studies. While situating the field within the history of intellectual thought in the broader social sciences, it offers detailed and accessible case studies. These are supplemented by very useful directions for further in-depth reading, making it an excellent undergraduate course companion." - Victor Buchli, University College LondonWhy are i-pods and mobile phones fashion accessories?Why do people spend thousands remodelling their perfectly functional kitchen?Why do people crave shoes or handbags? Is our desire for objects unhealthy, or irrational?Objects have an inescapable hold over us, not just in consumer culture but increasingly in the disciplines that study social relations too.This book offers a systematic overview of the diverse ways of studying the material as culture.Surveying the field of material culture studies through an examination and synthesis of classical and contemporary scholarship on objects, commodities, consumption, and symbolization, this book:introduces the key concepts and approaches in the study of objects and their meaningspresents the full sweep of core theory - from Marxist and critical approaches to structuralism and semioticsshows how and why people use objects to perform identity, achieve social status, and narrativize life experiencesanalyzes everyday domains in which objects are importantshows why studying material culture is necessary for understanding the social. This book will be essential reading for students and researchers in sociology, anthropology, cultural studies, consumer behaviour studies, design and fashion studies.
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Objects in the Archives : Modern Material Culture and Heritage in the North
Situated on an intersection between Material Culture Studies, History and Museum and Archival Studies, this book investigates the material world of the Icelandic population in the late Modern Era. Utilizing the great wealth of inventories of household goods stored at The National Archives of Iceland in conjunction with material objects, the book highlights new paths and insights into understanding people’s possessions and material relations, and the entwined biographies of people and things.It shows how people shaped their own lives by means of things and how these material relations are “archived” and represented in heritage and museum spaces.The book is divided into two parts that explore how material culture contributes to history, the relationship between things and text, and the practice of collecting things and address the process of assembly, or how things gather.Micro and macro methods of investigation tease out new approaches to debates around human–thing relationships, acknowledging ideas about material agency and social significance and that the human–material relation is reciprocal. This volume will appeal to students and researchers within the field of archaeology, material culture studies, museum studies, heritage, and the history of material culture.
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History Through Material Culture
History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research.With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history. -- .
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Writing Material Culture History
Writing Material Culture History 2e examines the methodologies used in the historical study of material culture.Looking at archaeology, anthropology, art history and literary studies, the book provides students with a fundamental understanding of the relationship between artefacts and historical narratives.The book addresses the role of museums, the impact of the digital age and the representations of objects in public history, bringing together students and specialists from around the world. This new edition includes: A new substantive introduction from the editors, providing a useful roadmap for students and specialists. A more balanced and easy-to-use structure, including methodological chapters and ‘object in focus’ chapters consisting of case studies for classroom discussion. New chapters showing greater engagement with 20th-century material culture, non-European artefacts and the definitions and limits of material culture as a discipline. Offers global coverage and discussion of both the early modern and modern periods. Writing Material Culture History 2e is an essential tool for students seeking to understand the potential of objects to re-cast established historical narratives in new and exciting ways.
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What characterizes the material quality of good chopsticks for Asian cuisine?
Good chopsticks for Asian cuisine are typically made of high-quality materials such as bamboo, wood, or stainless steel. The chopsticks should be smooth, without any rough edges or splinters that could harm the user's hands or mouth. They should also be lightweight and easy to handle, allowing for precise and comfortable grip when picking up food. Additionally, the material should be durable and long-lasting to withstand frequent use.
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What distinguishes the material quality of good chopsticks for Asian cuisine?
Good chopsticks for Asian cuisine are typically made from high-quality materials such as bamboo, wood, or stainless steel. The material should be durable, smooth, and free from any splinters or rough edges to ensure a comfortable dining experience. Additionally, the chopsticks should be lightweight and easy to handle, allowing for precise and effortless manipulation of food. Overall, the material quality of good chopsticks plays a crucial role in enhancing the dining experience and enjoyment of Asian cuisine.
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How can one forget culture and heritage?
One can forget culture and heritage by not actively engaging with it, by being disconnected from one's roots and community, and by prioritizing other aspects of life over preserving and celebrating one's cultural identity. This can happen through assimilation into a different culture, lack of exposure to one's own cultural traditions and practices, and a lack of interest in learning about one's heritage. Additionally, societal pressures and discrimination can also contribute to the erasure of one's culture and heritage.
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What traditions, customs, and festivals are there in Hungary?
Hungary has a rich cultural heritage with many traditions, customs, and festivals. One of the most well-known traditions is the celebration of Easter, which includes painting eggs and the custom of sprinkling water on women as a sign of fertility. Another important festival is the Budapest Spring Festival, which features a wide range of cultural events including music, dance, and theater performances. The Hungarian National Day, celebrated on August 20th, is also a significant event, with fireworks, concerts, and other festivities taking place across the country. Additionally, traditional Hungarian folk music and dance are an integral part of the country's cultural identity, with many festivals and events dedicated to showcasing these art forms.
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Handbook of Material Culture
The study of material culture is concerned with the relationship between persons and things in the past and in the present, in urban and industrialized and in small-scale societies across the globe.The Handbook of Material Culture provides a critical survey of the theories, concepts, intellectual debates, substantive domains and traditions of study characterizing the analysis of things.It is cutting-edge: rather than simply reviewing the field as it currently exists.It also attempts to chart the future: the manner in which material culture studies may be extended and developed. The Handbook of Material Culture is divided into five sections. • Section I maps material culture studies as a theoretical and conceptual field. • Section II examines the relationship between material forms, the human body and the senses. • Section III focuses on subject-object relations. • Section IV considers things in terms of processes and transformations in terms of production, exchange and consumption, performance and the significance of things over the long-term. • Section V considers the contemporary politics and poetics of displaying, representing and conserving material and the manner in which this impacts on notions of heritage, tradition and identity. The Handbook charts an interdisciplinary field of studies that makes an unique and fundamental contribution to an understanding of what it means to be human.It will be of interest to all who work in the social and historical sciences, from anthropologists and archaeologists to human geographers to scholars working in heritage, design and cultural studies.
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Memory, Mobility, and Material Culture
With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility, and Material Culture embodies a multidisciplinary and cross-disciplinary approach. The chapters track the movement of the objects and their owner(s), within and between continents, countries, cities, and families.Objects have always been considered with an eye to their worth – economic, aesthetic, and/or functional.If that worth is diminished, their meaning and value disappear, they are just things.Yet things can still fulfil functions in our daily lives; they hold symbolic potential, from personal memory triggers, to focal points of public ritual and religion; from collectors’ obsession, to symbols of loss, displacement, and violence.By bringing into dialogue the work of specialists in ethnology, art history, architecture, and design; literature, languages, cultures, and heritage studies, this volume considers how displaced memory – the memory of refugees, migrants, and their descendants; of those who have moved from the countryside to the city; of those who have faced personal upheaval and profound social change; those who have been forced into exile or experienced major personal or collective loss – can become embodied in material culture.This book is important reading to those interested in cultural and social history and cultural studies.
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Heritage Tourism
Heritage Tourism provides a balanced view of both theoretical issues and applied subjects that managers must deal with on a daily basis.These concepts are illustrated throughout the text via examples and boxed case studies. With the rapid growth of special interest travel during the past two decades, the demand for heritage tourism experiences has soared, and its economic and socio-cultural importance cannot be overstated.This book addresses this booming type of tourism and will prove to be a valuable resource for educators, students, and practitioners in the field of heritage tourism.
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Object Studies : Introductions to Material Culture
Object Studies: Introductions to Material Culture is a textbook that introduces students to an interdisciplinary approach to material cultural study.This text helps reveal how everyday objects from pens and coffee cups to our most cherished keepsakes help define our collective histories and personal narratives.Object Studies is organized around accessible and engaging chapters on objects with “model essays” that present original projects designed to engage students with a series of concepts and research activities.Each will demonstrate a key methodology tied to specific learning outcomes, but all chapters will be intertwined in their attention to the project of developing the core skills of “object studies”: careful viewing, writing detailed descriptions, setting out and testing research hypotheses, and telling stories through material artifacts.Aimed towards undergraduate students taking courses in material culture as well as postgraduate students embarking on independent research projects these chapter “studies” are practically oriented and demonstrate research projects that can be undertaken either in a course or even through personal study.Chapters in Object Studies conclude with research questions, suggestions on methodology, and a discursive bibliography designed to help students pursue their own projects based on these examples.
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What is the definition of material and post-material?
Material refers to things that are tangible, physical, and related to basic needs such as food, shelter, and safety. Post-material, on the other hand, refers to values and concerns that go beyond basic needs and focus on issues such as self-expression, quality of life, and environmental sustainability. Post-material values are often associated with higher levels of economic development and education, as people's basic needs are met and they can focus on more abstract and aspirational goals.
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Which piercing material?
When choosing a piercing material, it is important to consider factors such as your skin sensitivity, the location of the piercing, and your budget. Surgical stainless steel is a popular choice for its durability and affordability, while titanium is a hypoallergenic option suitable for those with sensitive skin. For a more luxurious option, you may consider gold or platinum, but keep in mind that these materials can be more expensive. Ultimately, the best piercing material for you will depend on your individual preferences and needs.
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Are thoughts material?
No, thoughts are not material in the traditional sense. They are not physical objects that can be touched or seen. Thoughts are the result of complex neural activity in the brain, and while they have a real impact on our emotions and behaviors, they do not have a physical substance. However, thoughts can have material consequences when they lead to actions or decisions that have tangible effects on the world.
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What are the traditions and culture in Kosovo?
Kosovo has a rich cultural heritage influenced by its history and diverse population. The traditions in Kosovo are deeply rooted in its Albanian, Serbian, and Turkish heritage, and include music, dance, and cuisine. The country also has a strong tradition of storytelling, poetry, and folk art. Additionally, Kosovo is known for its religious diversity, with a mix of Muslim, Orthodox Christian, and Catholic influences contributing to its cultural landscape. Overall, the traditions and culture in Kosovo reflect the country's complex history and the resilience of its people.
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